On Friedersdorf, Conor and James kick things off by discussing Tom Scocca’s viral Gawker article defending snark and attacking smarm. They consider the perils of Internet fame for regular people. How will today’s kids come to view the difference between the online world and real life? Conor worries that the surveillance state is causing Americans to self-censor their communications. James extols the virtues of “view from somewhere” journalism. And they conclude by discussing millennials, the “passion economy,” and the dark side of geeking out.
On The DMZ: Should conservatives support the Ryan-Murray budget deal? Should progressives? And can it pass the House? What’s Paul Ryan’s ultimate goal? Why has conservative Sen. John Cornyn attracted a primary challenger—and what do hipster glasses have to do with it? Finally, Bill and Matt tackle the real issue: The Great Love Actually Debate.
On The Glenn Show, Glenn and Harold discuss the death of Nelson Mandela and why they weren’t more committed to anti-apartheid activism in the 1980s. Was the African National Congress’s use of violent resistance defensible in retrospect? This leads to a broader reconsideration of the Cold War and the savoriness of various regimes the US supported. Glenn argues Mandela has been sanitized and reduced in death, then applies the lessons of South Africa to Israel and Palestine. Is Israel’s occupation of the West Bank comparable to apartheid? Harold suggests that all national identities are based on forgetting, and that Mandela is admirable in this context.
On Critic Proof, Alyssa and Dan discuss the cultural impact of the late Nelson Mandela, beginning with Dan’s memories of the campus anti-apartheid movement. They marvel at Mandela’s transformative prison term and the complex role of his wife Winnie. They then turn to the new pop culture focus on Mandela, including the Idris Elba biopic, Invictus, and World War Z. How does Mandela’s family compare with other political dynasties? They also discuss South African movies such as District 9. Pivoting wildly from Mandela, they consider the controversial emergence of Love Actually as a holiday classic. Plus: The bumper crop of political TV shows, in particular House of Cards. (Spoilers throughout.)